Shortly after their first show in 1986, Brill was introduced to Towa Tei, a Japan-raised Korean DJ. Several years later, Kirby and Brill invited him to join their band. Combining Kirby's vocal and writing talents with Brill's sampling skills and Tei's techno mixing, the three formed the band Deee-Lite. They had performances every month, with Kier designing new costumes for each one. She continued to make a living as a waitress and go-go dancer[3] until the band signed a seven-album deal with Elektra Records.
Deee-Lite, The Very Best Of Deee-Lite full album zip
Kirby was very involved in the band's output: writing, producing, and performing the bulk of the band's songs. Known as much for their outrageous personae and costumes as for their music, the three took on larger-than-life alter-egos: Super DJ Dmitri, Jungle DJ Towa Tei, and Lady Miss Kier. Kirby is credited with designing and creating the look of the band, as well as much of the artwork accompanying the band's albums and marketing material. Her initial look relied on revamped and exaggerated retro style 1960s fashion. Her signature look was a zip-up catsuit, platform shoes and flipped hair-do.
A few songs, however, suffer from the Ghostbusters Syndrome. (The Syndrome comes from the fact that a song on the soundtrack album to Ghostbusters only made an appearance on an extra's headphones as they walked past the camera.) These songs make brief appearances in the film, and don't really deserve to be placed (as full tracks) on the CD. They include "Turning Japanese", "Groove Is In The Heart", and "Tangerine Speedo". Good songs to be sure, but are they necessary for the album?
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